Photoshop for photographers.pdf

 

    cluding The Adobe Photoshop Lightroom 4 Book for Digital Photographers, Portrait Retouching Techniques for Photographers Using Photoshop, Light It. Adobe® Lightroom® CC and Photoshop® CC for Photographers Classroom in a Download PDF help documents, optimized for printing, at nipalraroter.tk The Adobe Photoshop CC Book for Digital Photographers. (1) You don't have to read this book in order. I designed this book so you can turn right.

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    Photoshop For Photographers.pdf

    The Photoshop CS2 Book for Digital Photographers. Read more Advanced Photoshop Elements for Digital Photographers · Read more. Adobe, the Adobe logo, Acrobat, the Adobe PDF logo, Classroom in a Book, Creative Suite, Fl The Adobe® Photoshop® Lightroom® CC Book for Digital. Welcome to the latest Adobe Photoshop CC bulletin update. This Photoshop CC for Photographers: Edition book, which will be available later this year.

    High Speed Photography Celebration Of High-Speed Photography This post is supposed to provide you with some inspiration of what can be done with high-speed photography. It also showcases some truly stunning slow-motion videos. Home-Made High Speed Photography PDF Pictures of high-speed events such as popping balloons, breaking glass, and splashing liquids reveal interesting structures not visible to the naked eye. With this guide you can take your own high-speed photos to captures these ephemeral events. A very detailed tutorial. Tilt-Shift Photography Tilt-shift photography refers to the use of camera movements on small- and medium-format cameras; it usually requires the use of special lenses. Tilt-shift actually encompasses two different types of movements: rotation of the lens relative to the image plane, called tilt, and movement of the lens parallel to the image plane, called shift. Tilt is used to control the orientation of the plane of focus PoF , and hence the part of an image that appears sharp; it makes use of the Scheimpflug principle. Shift is used to change the line of sight while avoiding the convergence of parallel lines, as when photographing tall buildings.

    Select the Crop tool from the toolbar, or press C on your keyboard. This enables you to crop non-destructively. Alternatively, if you want to crop to a specific size or ratio enter this in the Options bar. Hit Enter to confirm. To adjust the crop later o,n hit C, click inside the image, and re-crop.

    To straighten your photo click the Straighten button. Now draw a horizontal line along the horizon. When you release the mouse button the image will rotate, and the corners will be cropped. Hit Enter to confirm or Escape to cancel. Rotate the Picture Most cameras will automatically detect whether you shot a photo in portrait or landscape mode.

    But sometimes it fails, and you need to rotate the image manually. There are two quick tools you can use, each tackling a different problem. The Exposure tool adjusts all tonal values equally and is best for when the photo is under- or overexposed.

    In the Adjustments panel on the right, click Exposure. Drag the Exposure slider to the right to brighten, or left to darken, the image.

    The Brightness option focuses more on the midtones and can brighten the image without affecting the highlights or shadows. Boost the Colors An easy way to make almost any image more appealing is to give the colors a boost. Go to the Adjustments panel and select Vibrance. Saturation changes all colors equally. You can set it to to make a black and white image, but otherwise you should avoid it. Vibrance is more subtle, as it focuses on the less-saturated colors without affecting those that are already bright enough.

    Drag the slider to the right to boost the colors. Add Contrast With Levels Like colors, many photos can benefit from a bump in contrast. It makes them look punchier and less flat. Photoshop has multiple ways to adjust contrast. The best for beginners is the Levels tool, which is powerful yet easy to grasp. Click Levels in the Adjustments panel to get started. Read More. This is a chart that shows the tonal range of the photo, from black on the left to white on the right.

    Then do the same with the right tab. As you drag the tabs you should notice an immediate improvement.

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    But sometimes they can be thrown off, leaving a color cast on the image. You can fix this by clicking on Levels in the Adjustments panel. There are three eyedroppers on the left of the panel. The middle one is used to select a gray point in the photo, which in turn corrects the white balance. Select the eyedropper, then locate an area of gray in your photo and click inside it. You should see an immediate correction.

    Now hover the eyedropper back over the image until you find an area where the RGB values are the roughly the same. Click to apply the correction. It may be dust on the sensor or an ugly trashcan in the background of your landscape.

    To get started, duplicate your background layer so you can edit non-destructively. Pick a brush size either from the Options bar or by using the square bracket keys to make it larger or smaller. Choose one that is marginally larger than the speck you want to remove. Then click on the speck. It should disappear. Processing takes a few seconds, but is usually successful.

    Remove Larger Objects To remove a larger object, select it either by using the Marquee Tool M and drawing a square around it, or with the Lasso Tool L and drawing round it freehand.

    Hit Enter and after a few seconds the object should disappear. You can repeat the process to remove any rough edges that remain.

    The Art of Photoshop for Digital Photographers

    Removing things from detailed images is an advanced skill. The quick tool is best used on smaller elements placed against plain backgrounds or backgrounds with non-uniform textures like foliage. Working with anything larger or more difficult requires more extensive Photoshop skills.

    To move objects, duplicate the image layer then select the Content-Aware Move Tool. Now simply draw around the object you want to move.

    Click inside this selection, and drag the object to its new position. The tool should blend the object with its new surroundings and fill the space left behind with a new background. To duplicate objects instead of moving them, go to the Options bar and set Mode to Extend.

    For portrait photographers interested in learning a quick and easy way to retouch portraits, while also making them pop, I released a tutorial a few months ago with RGGEDU.

    In this tutorial I take you on 9 portrait sessions in different locations using natural light only and I share my entire post processing workflow for each shoot. Another quick thing I'd like to point out is the false concept that "it's all about the editing". Editing an image will only take a great photo over the edge.

    It will not change a bad photo into an excellent photo. The purpose of the methods I'm about to share is not to change the photos, rather to enhance it. Culling Culling images is simple. The importance of it is often overlooked. Choosing images out of from a photoshoot is hard. Another important thing to remember is that it is always best to go with the more natural poses. While creativity is important, it is equally important to not overdo things and try too hard.

    There is no technique to culling. It is all about finding an image that is pleasing to the human eye. And that is what makes it the most difficult because there is a tremendous amount of subjectivity involved. That is why it is best to share it with as many people as you can. Forget about a technically perfect image.

    Find an image that speaks to you and your friends. Camera Raw People often confuse Camera Raw as the place where special effects and filter adjustments are made. Read More to your camera lens. Start by duplicating the image layer.

    Grab the center tab below the histogram and drag it to the right until the sky is better exposed — the darker it gets, the more dramatic it will look. Ignore the fact that the rest of the image will now be too dark. Click OK to continue. The next step is to apply a mask to the layer.

    Don't worry though, we're here to help you sort your "blend modes" from your "layer masks. They enable you to seamlessly blend together two or more layers. In simple terms, a mask controls the opacity of the layer upon which it is placed.

    This is done by painting white and black areas onto the mask: white areas are fully opaque, and black areas are fully transparent. Where there is black, you can see the content of the layer directly below.

    Add a Layer Mask With your duplicated and newly edited layer selected, hit the Add layer mask button at the bottom of the Layers panel. From the toolbar, select the Gradient Tool G. Now draw a gradient on the image. Click around a third of the way from the top, then drag down in a straight line to the horizon.

    The two layers will now blend together; the bottom will be your correctly exposed foreground, and the top your newly dramatic sky. Redrawing the gradient overwrites the previous effort, so you can try repeatedly until you find the effect your happy with.

    Experiment With Black and White Photoshop makes it easy to experiment with black and white photography. The color will now be removed from the photo, but all the changes go on a separate adjustment layer.

    Just delete this layer to revert back to the color version of your shot. Each relates to a color, which in turn affects the tone of the corresponding color in the original image.

    The Art of Photoshop for Digital Photographers - PDF Free Download

    I f you drag the Green slider to the right, all the parts of the image that originally contained green will get lighter. Drag the Blue slider to the left and all the blue areas of the image — like the sky — will get darker.

    Experiment with the sliders until you find an effect you like. You can also hit the Auto button to create a balanced result. For an even more creative effect, click the Tint button and choose a color.

    Noise Reduction By now your photo should be looking pretty good. First, noise. Adjust the Strength slider to set how much noise reduction you want to apply. A higher amount removes more noise but also softens the image and removes detail.

    You can try and recover detail by moving the Preserve Details slider. Noise reduction is all about finding the right balance between noise and detail. Sharpening Most images can use a little sharpening to help make them pop. The one you need to use is called Unsharp Mask.

    Select it to open the Unsharp Mask dialog box. Sharpening is a skill in its own right, so for now you can simply restrict yourself to using the Amount slider to find the level of sharpness you need.

    Click inside the preview window to toggle between a before and after view as you go.

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    Add a Frame Adding a frame or border to an image can often make it look nicer when shared online. It takes just a few seconds to do. The image itself will stay the same size, and the larger canvas behind it will give the effect of a border. This will be the color of the frame, so you can choose black instead, or anything else if you prefer. Now, under New Size set a new Width in Pixels. A good starting point is to increase the size by 1—1.

    Now increase the Height by the same number of pixels and hit Enter. Your image now has a frame. To retain the layer information, and keep it editable in future, you need to save the file in the PSD format. Saving as a JPEG or any other common image format will flatten the image, lose the layer data, and permanently write your edits to the original file. However, you will need to save in those formats to share your pictures online. Or you can select the Fit To drop down menu to access presets for various common print sizes.

    But why print at a one-hour photo shop when you can get them printed online and delivered? Read More at a resolution of pixels per inch, or at least no lower than ppi which will result in pixellated prints. To work this out, just multiply the length of your intended print in inches by For sharing online, you can choose whatever size you want. Bear in mind that most people have desktop or laptop displays at least pixels wide.

    This isn't just a higher quality of image, it's a gift from the photography gods. This allows you to process the images before you bring them in Photoshop.

    XMP file containing info on these edits.

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